[JEANSELLEM VIEWER] — Categories: press, docs, letters, visual — Keywords: Galerie S:t Petri, Jean Sellem, archive — Category: press — Hidden Things in Photographs Shown in ExhibitionToday, Friday, a new exhibition opens at Galerie S:t Petri. Françoise Janicot from Paris is showing photographs of hidden things.In addition to photography, she also uses film as a medium. She frequently illustrates books as well. Janicot has previously exhibited in France, Belgium, England, South Africa and South America.The Lund exhibition is open on weekdays from 3 to 8 p.m., and on Saturdays and Sundays from 12 to 5 p.m. — — — Category: press — <p><em style="color: rgb(17, 17, 17);">Måndagen den 29 oktober 1973</em></p> — Françoise Janicot presents an exhibition consisting of photographs deliberately reproduced in an amateurish manner, as well as photographic collages with clock springs and cogwheels attached to them.Most of the images show clocks that are no longer working and seem, in some elusive way, to deal with time and silence. These conceptualist visual experiments are entirely closed in on themselves; the clock faces are crossed with strips of adhesive tape, and in one image a woman’s face is bandaged into a kind of compulsory silence. The muteness is total. — — — Category: press — GALERIE S:T PETRI, S:t Petri kyrkogata 5, open Monday–Friday 3–8 p.m., Saturday and Sunday 12–5 p.m.The French photographer Françoise Janicot presents a kind of “artless” photography, artless in the sense that it does not display conventional technical perfection. Instead, the photographs often appear deliberately awkward and may resemble amateur snapshots.The images are then carefully mounted on paper whose texture emphasises their character as evidence or clues. The paper seems to place the image in a laboratory setting. Hence the almost obscene character of the image, together with its amateurish quality.Almost all the photographs show street clocks in Paris, all of them out of order, marked by strips of adhesive tape crossed over their surfaces. In another image, a woman’s face is covered with bandages — in a manner similar to the bandaged clocks. In some way, the two are connected. Both seem, in a peculiar way, to have been silenced. — — — Category: docs — — — Category: docs — — — Category: docs — Self-published, Imprimerie G. P. Beylot, 1971. 240 × 158 mm, 32 pp. Text by Bernard Heidsieck and 24 full-page photographs by Françoise Janicot. — — — Category: docs — — — Category: letters — 1 October 1973Dear Sir,I forgot to sign my two posters, which I sent you three days ago.Would you please add my titles and signatures at the bottom of each poster, wherever they will be least obtrusive while still remaining reasonably legible.Pendule au Temps libre [Pendulum in Free Time] is for the vertical poster, where one can see part of the pendulum.Temps délié [Unbound Time] is for the horizontal poster.The six photographs with watch collages are priced at 300 francs — new price. The large posters remain at the price indicated by P. A. GETTE.Continued on the next page → — The small documents and photographs are only to be sold in sets of three, at 150 francs for the three.I know that, in principle, your gallery does not sell works, since that is not its purpose. But I am giving you the prices in case someone asks you.I hope the latest shipment will have a little more luck.I would very much like to have some photographic documentation of my exhibition when it takes place.Yours sincerely,Françoise Janicot — — — Category: letters — Lund, 5 November 1973Dear Françoise Janicot,I must congratulate you on your exhibition Le Plein et le Délié.The philosophical idea behind your approach was very well understood by the Swedish intellectual public.It is preferable that you have your works in your possession. Today I am sending you the materials from your exhibition.If a favourable opportunity to present your works arises — which is probable — I will inform you by letter or by telephone.Another matter… I am particularly interested in having a small exhibition by Bernard HeidsieckContinued on the next page → — next year at Galerie S:t Petri.Would you be so kind as to suggest this proposal to Bernard Heidsieck and reply to me on this matter?I very much hope to be able to travel to Paris next year.It would then be a great pleasure for me to meet you there and to make your acquaintance.I would like to reiterate the interest I took in your exhibition and ask you to accept the expression of my very best sentiments.Yours sincerely,Jean SellemP.S. Enclosed are a few documents from your exhibition.My warmest regards to Paul and Tania. — — — Category: visual — — — Category: visual — — — Category: visual — — — Category: visual — — — Category: visual — — — Category: visual — — — Category: visual — — — Category: visual — — — Category: visual — —
FRANCOISE JANICOT
LE PLEIN ET LE DÉLIÉ (Pendules cachées)
12-31.10.1973
FRANCOISE JANICOTLE PLEIN ET LE DÉLIÉ (Pendules cachées)12-31.10.1973
Françoise Janicot’s photographic exhibition of hidden things, presented at Galerie S:t Petri from 12 to 31 October 1973, is her first solo exhibition in Sweden.
She was born in Paris in 1929 and also lives there. Her artistic practice spans a wide range of media. In addition to photography, she uses film as a medium, frequently illustrates books, and makes recordings. Various magazines have written about her work.
Her exhibition activity is also extensive: she has shown her work in France, Belgium, England, South Africa and South America.
The exhibition is open on weekdays from 3 to 8 p.m., and on Saturdays and Sundays from 12 to 5 p.m.
L’exposition photographique de Françoise Janicot consacrée aux choses cachées, présentée à la Galerie S:t Petri du 12 au 31 octobre 1973, est sa première exposition personnelle en Suède.
Née à Paris en 1929, où elle vit également, son activité artistique couvre un vaste champ. Outre la photographie, elle utilise le film comme médium, illustre fréquemment des livres et réalise des enregistrements sur disque. Diverses revues ont publié des articles à son sujet.
Son activité d’exposition est également importante : elle a présenté ses œuvres en France, Belgique, Angleterre, Afrique du Sud et Amérique du Sud.
L’exposition est ouverte en semaine de 15 h à 20 h, et le samedi et le dimanche de 12 h à 17 h.
Die Fotoausstellung von Françoise Janicot über verborgene Dinge, die vom 12. bis 31. Oktober 1973 in der Galerie S:t Petri gezeigt wird, ist ihre erste Einzelausstellung in Schweden.
Sie wurde 1929 in Paris geboren und lebt auch dort. Ihr künstlerisches Schaffen umfasst ein breites Spektrum. Neben der Fotografie verwendet sie Film als Medium, illustriert häufig Bücher und macht Schallplattenaufnahmen. Verschiedene Zeitschriften haben über sie berichtet.
Auch ihre Ausstellungstätigkeit ist umfangreich: Sie hat ihre Arbeiten in Frankreich, Belgien, England, Südafrika und Südamerika gezeigt.
Die Ausstellung ist werktags von 15 bis 20 Uhr, samstags und sonntags von 12 bis 17 Uhr geöffnet.